Please tell us about the projects you worked on before making ‘Pink City Film’. How did you start, and how did you learn to make films?
"Before creating Pink City Film, I produced and released three short films. The most recognized project from my independent film company is the short film Close Enough. In addition to short films, I’ve also produced, filmed, and animated music videos. My filmmaking skills were honed at a film school that provided comprehensive training in 3D animation, VFX, and media production."
Tell us about ‘Pink City Film’. How do you describe it?
The film was shot over 10 days, with principal cinematography in Berlin. Throughout the production, the dedicated cast and crew overcame numerous challenges, united by a deep connection to the story. The visual style is inspired by my own paintings, which I created before writing the script. These drawings and paintings shaped the film’s aesthetic, giving the final product a distinct, artistically driven atmosphere The narrative pays homage to Twin Peaks, weaving elements of mystery and intrigue into a captivating story. The plot was influenced by the real-life tragedy of my neighbor, Melanie Rehberger, who was killed shortly after I completed the script. The film is dedicated to her memory, honoring her life and the profound impact her untimely death had on the creative process.
Please tell us about your favorite filmmakers.
The first director to inspire me was David Lynch. The plot of Pink City Film is rooted in Lynch's iconic series Twin Peaks, which aired in the early 1990s. I grew up watching that show, eagerly rushing home from school to catch every episode. In many ways, my short film serves as a homage to Twin Peaks. The first horror film I encountered and made impact on me was the Serbian movie Лептирица (The She-Butterfly), directed by Đorđe Kadijević in 1973. This film is based on the short story After Ninety Years (1880) by Serbian writer Milovan Glišić. In addition to Lynch, I draw inspiration from the world of animation and manga, particularly from creators like Hayao Miyazaki and Eiichiro Oda. Also I really was in love with the movie Chungking Express by Wong Kar-Wai I mean actually a lot of movies from the 90s. In the past three years, I’ve also been influenced by the works of Jordan Peele and Mike Flanagan.
If you were given a good budget, what would be your ideal project?
To shoot a international feature film in genre art-house mystery with elements of science fiction.
Describe how you would ensure that production is on schedule. What steps would you take?
Hold regular meetings with the cast and crew to discuss the schedule, address concerns, and ensure everyone is on the same page. Ensure that all necessary resources, including equipment, locations, and personnel, are secured in advance to avoid delays By combining thorough planning, effective communication, and proactive monitoring, I would strive to keep the production on schedule and deliver a polished final product.
What was the hardest part of making ‘Pink City Film’.
The most challenging aspect was meeting all the goals within the tight timeframe, especially given the constraints of a limited budget. Finding crew members was difficult, and I had to be resourceful in assembling a dedicated team. One of the biggest hurdles was locating a cinematographer who could effectively visualize the ideas and images I had in mind. Overall, creating a film with no budget presented significant challenges, requiring creativity and collaboration to bring my vision to life.
If possible, tell us about your next work. What plans do you have for your future work?
Due to the promotion of Pink City Film, I haven't had much time to think about new projects. However, I am certain that my next work will continue in the style of the films I’ve already created, ideally as a feature film with a solid budget.
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