I want to paint you - An Interview with Carolina Takagi

Please start by telling us a bit about yourself. How did you become interested in filmmaking, and what number production is 'I Want to Paint You' for you?

Film has always fascinated me since childhood. Movies have the ability to transport you to different worlds, indulge in imagination while simultaneously making impact. For me, it’s a creative medium which has the capacity to express with 360 perspective. A visual language allowing for stories to be told without saying a single word. This is my directorial debut. I’ve been creative producing for 15yrs.

Where did the idea for this film originate? How long did it take you to finalize the concept?

The concept came about organically from Steve Olson and I’s actual interactions leading up to us collaborating as painter and muse. When Steve first approached me saying “I want to paint you”, I assumed he meant paint a portrait of me. As his work is abstract, I was confused as to how that would be a portrait! Steve went on to explain, “No, I want to paint YOU! You as the canvas.” The vision was fuelled by thinking outside the usual mediums, and thereby allowing creativity to breathe into becoming more.

Your film begins and ends with a skateboarding scene. Could you discuss this choice?

Steve Olson is one of the pioneers of skateboarding. He’s a legend. He’s also a celebrated artist. As a documentary on his creative process it was important to weave in both worlds that he embodies.

In general, how much do you believe in having a text or something similar to a screenplay? Do you think improvisation is a better method, or does having a script help the filmmaker more?

It depends on the story you’re telling. Each story holds its own identity and has its own voice of expression. Some stories find their power through words, other speak visually in evoking an environment that takes the audience on a journey.

How would you describe your own film? Is it a documentary? Is it an experimental narrative film, like the painter himself?

I would say it’s a visual essay on an artist’s creative journey. It’s both a documentary and an art piece in itself.

How important do you believe experimentation is in cinema?

Experimentation is the source of magic in cinema. The exploration of creative vision and an artist’s expression is what expands perspectives.

What was the most significant difficulty you faced while making this film?

The trickiest part was directing whilst also being in front of the camera as the artwork itself.

How do you describe your film? What is the central theme of this short film, and what subject is it trying to address?

My film is an artist's creative journey from intention, through frustration, to inspiration. The process of creation and the momentary magic that transcends when art comes to life. The muse represents creativity itself as a feminine energy.

Overall, what experiences did you learn while working on this project?

Filming a skateboarding action sequence is a skill in itself! I was fortunate to have a crew of skateboarders. The project was an exercise in creative collaboration and trust.

Are you interested in continuing to make short films, or is your focus on feature films?

Definitely. I believe short films are just as powerful as features; there’s an art to creating impact and emotional resonance within a concise format. Some stories demand the space of a feature to explore layers, complexity, and world-building, while others are best served by the immediacy of a shorter narrative. For me, it’s about letting the story dictate the form — not the other way around.

Finally, if there is anything else you would like to mention, we would be delighted to hear it.

We are currently curating an exhibition combining Steve’s art with my film. We’re looking to take the exhibition to various cities worldwide including Tokyo, so watch this space!