This Stitching Will Last: An Interview with Kevin B Ploth

Please tell us about the projects you worked on before making ‘This Stitching Will Last’. How did you start, and how did you learn to make films?

A). First let's talk about the fact that there is no "me" without the "we"! I did not get here with out the help of my parents, then my team, cast, producers, and sponsors. There is no way any of this can be accomplished or achieved without them. It began with Mom being a (first woman) Broadway Producer and my father a veteran, National Geographic photographer plus running DUGAL and Time/Life’s photo labs played a huge influence on my appreciation for art, film and stage. All of these people have been with me for some years. With more than forty years to most recently collaborating on current projects. The vanguard consists of Benny Harrison (from 1988), Michael Sean McGuiness, Paul Wagar, Susan Sulby, Nancy Contra and Myreon Arslan(my agent now) since 1990. Larry Gress our DP for both This Stiching Will Last, GIANT and other projects started with me back in 1992 when I directed OTHELLO and played OTHELLO and cast Larry as Michael Casio. Recent times Vanessa Thorpe, Doug LeBlanc, Julie LeBlanc, Kelley Poling, Jeffry Ross, MOKE Candles, The Cigar Saver, Doug Marcaida, Anthony DeLongis, Charlie Parish, Dr. Mike Harper (Patriot Tactical), Norm McCleod(PROPPER Uniforms), David Diaz(Buenos Diaz Media), JD Wesley. To Dr. Martin “Marty” Urban and our subjects Michael and Susan Braun.

Tell us about ‘This Stitching Will Last’. How do you describe it?

A). In the world of fashion, where trends come and go, some designs stand the test of time. Michael Braun's creations are among those timeless pieces. That’s why the title “This Stitching Will Last” shows that our works and deeds out live us. As Michael fondly says... “See you in the next world, and don’t be late..!” Michael reflects on his career, the impact of his work, and his advice for aspiring designers and artists everywhere.

This Stitching Will Last is completed. With potential release date of January 20-25th or late May 2025.

Link

Please tell us about your favorite filmmakers.

Stanley Kubrick, Sergio Leone, David Lynch, Johnathan Demme( whom directed me in

“Philadelphia “), Alice Guy-Blaché, Madeline Frank“Brandeis, and Stan Laurel.

If you were given a good budget, what would be your ideal project?

So with a substantial budget, my ideal project would be a multifaceted, veteran-focused multimedia initiative that combines my passion for storytelling, social impact, and innovative production. Here’s the vision. “Echoes of Service” A hybrid theatrical and cinematic experience that tells the stories of veterans and first responders, blending live stage performances with immersive filmed segments. The project would explore themes of sacrifice, resilience, and reintegration into civilian life, aiming to bridge the gap between military/first responder communities and the public. It would prioritize authentic

narratives, drawing from real-life experiences, and incorporate ARTIMIS’s commitment to supporting veterans, nurses, teachers, and mental health specialists.

Describe how you would ensure that production is on schedule. What steps would you take?

I meticulously manage production schedules that are explicitly outlined. However, I have broader principles and approach which contribute to efficiency and staying on track:

Not only do I emphasize values derived from my upbringing and veteran background, such as discipline, perseverance, and teamwork, applying them to the production process. I focus on maintaining high team morale by prioritizing work-life balance, recognizing achievements, and fostering professional growth, believing that happy and engaged teams are more productive and innovative. Adaptability is key; I highly encourage embracing new technologies, staying current with industry trends, and experimentation. My "Directing Secrets" also hint at my methods, specifically urging others to "Don't waste time," "Do away with Table Reads and unnecessary meetings," and "Be Specific," this all indicates high level of focus on efficiency and clear communication to likely keep all facets of productions moving according to schedule.

What was the hardest part of making ‘This Stitching Will Last’.

Having people believe in the the final product and getting the “Know it all Industry” crowd to see there is a better and effective way to Documentary’s. Using the actual talent to be the interviewers and not just a voice behind the camera or the interviewer always interjecting themselves into the scene. Still portraying the lie of life. I was given permission to go make art and I did. Michael and Susan gave me that permission. As did Marty.

If possible, tell us about your next work. What plans do you have for your future work?

Right now we have GIANT ready to go it is a modern Western, Crime Thriller. “High Noon” meets “Twin Peaks”. Then two big IP’s “Not your Fathers Coast Guard” and “Remote Outpost” plus we would love funding for the second part of “This Stitching Will Last” that will focus on the relationship between Michael and Jimi Hendrix.