Could you tell us about the projects you worked on before making Noah’s Spaceship? How did you start, and how did you learn to make films?
I gained recognition as a director after winning awards at the Polish and Indian film festivals with my movie The Last Choice. I began by creating short films, experimenting with various approaches, and building a foundation in directing and storytelling. I was particularly fascinated by combining artificial intelligence with animation technology, which led me to continually research, practice, and integrate these techniques into my projects.
Could you tell us about Noah’s Spaceship? How would you describe it?
Noah’s Spaceship is a sci-fi short film that explores humanity's journey into space in search of hope amidst extinction. It delves into the harmony between technology and human emotions, presenting a forward-looking theme and visually innovative storytelling that challenges the audience with profound questions.
Tell us about your favorite filmmakers.
I admire directors like Christopher Nolan and Denis Villeneuve for their ability to weave complex stories with philosophical depth while remaining accessible to a wide audience. I also draw inspiration from Hayao Miyazaki’s animations, which beautifully depict the relationship between humanity and nature. His works have significantly influenced my approach to creating animated films.
If you were given a good budget, what would be your ideal project?
If given a substantial budget, I would love to create a large-scale interactive film using artificial intelligence and augmented reality. The project would allow the audience to become part of the story, where their choices and actions influence the narrative. It would redefine the relationship between cinema and its viewers in a groundbreaking way.
How would you ensure that production stays on schedule? What steps would you take?
First, I would develop a detailed production schedule and share it with all team members. Second, I would hold weekly meetings to review progress and address any emerging issues promptly. Finally, I would conduct thorough pre-production testing and pilot shoots to minimize technical challenges. Effective communication and adaptability are key to maintaining the schedule.
What was the hardest part of making Noah’s Spaceship?
The most challenging aspect was achieving innovative visual effects within a limited budget. To overcome this, I utilized artificial intelligence to optimize production methods and collaborated with a small, dedicated team to maximize efficiency. While the process involved many trials and errors, the experience gained was invaluable.
If possible, tell us about your next work. What plans do you have for your future projects?
My next project is a feature-length sci-fi film focusing on collective human memory. It will explore the relationship between human emotions and data, questioning how we form and preserve memories. I also plan to collaborate internationally to reach a broader audience and bring a unique perspective to the global stage.
Comments