Please tell us about the projects you worked on before making Fish Eye. How did you start, and how did you learn to make films?
Before Fish Eye, I had just completed a serious drama called Fuckings Bygda (Fucking Boonies/Countryside). After working on such an intense project, I felt the need to blow off some steam and create something more lighthearted and fun, which is how the idea for Fish Eye came about.
I studied filmmaking at Screen Academy Scotland, and since graduating, I’ve been consistently creating short films. Fish Eye is actually my 17th short film. I truly love the format and always encourage others to try making at least one short film—it’s such a rewarding experience!
Tell us about Fish Eye. How do you describe it?
Fish Eye is a social commentary on the peculiarities of the film industry. It examines the hierarchical systems we create and delves into the challenges of collaboration, especially when there are conflicting visions.
Who are your favorite filmmakers?
I greatly admire Martin McDonagh, Justine Triet, Hettie Macdonald, and Edward Berger. I’m always excited to see what their next projects will be—they’re all brilliant filmmakers. I was fortunate enough to attend a workshop with Hettie earlier this year, and she was incredibly inspiring.
If you were given a good budget, what would be your ideal project?
There are so many stories I’d love to tell, but my ultimate dream is to make a film about inequality—highlighting how society is structured by and for the wealthy. I’m not entirely sure how I’ll approach this yet, but I want to create a powerful film with amazing actors that can spark a meaningful debate.
Describe how you would ensure that production is on schedule. What steps would you take?
I’d rely on an amazing producer and assistant director (AD). They’re the backbone of any production, ensuring everything runs smoothly. Ironically, I didn’t have a producer for Fish Eye—I ended up producing it myself! Fish Eye was shot in one day, and the final version you see is actually the 11th and last take we did as a one-take. I was incredibly lucky to work with such an amazing crew and cast—it was a wonderfully collaborative production.
What was the hardest part of making Fish Eye?
The fish! We originally had a real fish on set, but it caused so much stress that we eventually swapped it out for a fake one. Additionally, doing a one-take film was a huge challenge. We rehearsed extensively for four days and then shot the film in a single day.
If possible, tell us about your next work. What plans do you have for your future projects?
I’m currently studying at the NFTS (National Film and Television School) in England. Through the school, I’m working on two short films: one is a relationship drama exploring the complexities of long-distance relationships, and the other is a dark comedy set in Norway. I’m excited to see where these projects lead! Additionally, I’m in the process of writing my second feature film, and I’m hopeful we’ll begin production within the next two years.
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